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Design For Living | Fine furniture epitomising the Beau idéal spirit of the Louis XVI style: Part I

Within the forthcoming Design For Living auction, on 17th May, we offer Property from a private collection of European Decorative Arts, featuring significant Louis XVI furniture and furniture in the style of Louis XVI dating from the 19th century to the 20th century.

Read Part I of our article:

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Louis XVI (1754-1793), the last King of France before the Revolution, reigned from 1774 and at the age of 16, in 1770, he had married Marie Antoinette of Austria. Louis was not particularly interested in the arts, unlike his young bride for whom it was a passion, in which she was joined by the King’s brothers, the Comte de Provence and Comte d’Artois.  When Queen, Marie Antoinette set about creating and furnishing new apartments at the Palace of Versailles, the Palace of Fontainebleau, the Tuileries Palace and other exquisite royal residences and large quantities of furniture were required to fill these magnificent public and private interiors.

Furniture of the late 18th century in France is overall elegant and graceful, with designs reverting to examples from ancient Greece and Rome. Discoveries at the archaeological sites of Herculaneum and Pompeii dating from 1760, during the reign of Louis XV, powered interest in the neo-classical style of the 1770s and beyond. Designers, architects, sculptors and engravers had been sent to Italy to document the findings and their engravings of the Greek and Roman art found on site and these provided a rich source for many furniture designers, and specifically the ébénistes who made fine marquetry inlaid ornament to decorate chests and tables.

Lot 131 from Design For Living dates from the Louis XVI era, the pair of ormolu three-light candelabra are modelled with a maiden holding scrolling branches in each hand, with a further branch issuing from an urn atop her head, the circular base features sphinxes – another motif from classical antiquity. And, lot 62, likewise from the late 18th century, is a pair of mahogany, ebony and marquetry encoignures, they are decorated with marquetry urns, lillies and foliage, their tops of marble with ormolu mounts applied.

Lot 160, also from our auction, a late 19th century Louis XVI style mahogany and gilt bronze mounted commode à ventaux by Gouffe of Paris, is after the model by Joseph Stöckel and Guillaume Benneman which was originally created for Marie-Antoinette for the Salon des Jeux at Fontainebleau. Benneman was received master in 1785 by royal command and was the last of the royal cabinet-makers active before the Revolution. His earlier luxurious designs were inevitably tempered with the looming bankruptcy of France and in the later part of Louis’ reign he turned to  reconstructing royal furnishings and producing additional items en suite with existing pieces. Court arts at the time, comprising equal measures of craftsmanship and design, came about through the collaboration of a wide group of talented bronziers, sculptors, painters and the ébénistes.


Read Part II of our article here

Property from a private collection of European Decorative Arts

Design For Living, 17th May 2022, 2pm

View the full online Design For Living catalogue here | Browse the page-turning catalogue on issuu.com

For all auction enquiries: +44 (0)207 281 2790 | info@thepedestal.com

The Palace of Fontainebleau, one of the largest of all the French royal châteaux, and the residence of monarchs from Louis VII to Napoleon III. For Queen Marie-Antoinette a Turkish style salon, 1777, a games room, 1786-87, and a boudoir in the arabesque style were created. King Louis XVI and Marie-Antoinette paid their last visit to the Palace in 1786 on the eve of the French Revolution
Marie-Antoinette's Turkish salon, refurbished by Empress Josephine for whom it became a small bedroom. The boudoir is a rare, surviving example of 'Royal Turqueries' - the fashion for designs derived from Ottoman art and culture, popular in Western Europe from the 16th - 16th centuries
Design for a Grande Galerie, 1769, by Jean-Charles Delafosse (1734-1789). Delafosse was dispatched to Italy, along with others, by Madame de Pomapadour to document the findings at Herculaneum and Pompeii. Delafosse was an architect and professor of drawings, most of his work focused on decorative designs which appeared in the series known as Nouvelle Iconologie Historique, 1767-8
Lot 131, a pair of Louis XVI ormolu three-light candelabra | Est. £5,000-8,000 (+fees)
Lot 62, one of a pair of Louis XVI mahogany, ebony and marquetry encoignures | Est. £2,000-3,000 (+fees)
Detail from lot 160, a late 19th century Louis XVI style mahogany and gilt bronze mounted commode à vantaux by Gouffe à Paris - a medallion depicting a bacchic scene; after the model by Joseph Stöckel and Guillaume Benneman | Est. £10,000-15,000 (+fees)
Fall-front secrétaire à abattant, 1786-87, made for the Cabinet Intérieur of Louis XVI at the Palais de Compiègne. The cabinet work was executed under the supervision of Guillaume Benneman, the gilt bronzze mounts modelled by Louis-Simon Boizot, Martin and Michaud, cast by Forestier, chased by Pierre-Philippe Thomire, Bardier and Tournay, among others; and gilded by Galle. The work on the secrétaire was co-ordinated by Jean Hauré, entrepreneur des Meubles de la Couronne (active 1774-96)